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Meet Craig Ester

Meet Craig Ester

Meet Craig Ester 1200 800 mosaic

Current Title: Graduate Assistant/MFA Acting Candidate Louisiana State University

What drew me to Mosaic?

I actually don’t know how it happened, but a friend of mine who was in the singing company brought me to a performance of Tessarae, the one act play festival. It was sort of love at first sight. I wasn’t able to audition for the company until the next year and I ended up in the acting ensemble. I stayed at Mosaic because it was the first place in my young life where I felt other people sharing my passions, and where we had agency over the work we made.

Moment/Memory that impacted me:

There are honestly too many to count, but the one that sticks out the most in my professional life is one when I had a bonding moment with Rick Sperling. Rick was driving me to rehearsal, I was an intern in the office at the time and we were working on Woodward Wonderland at the DIA, and we had to stop and pick up the printed scripts before we arrived. Earlier that week we’d had a line test, and I had been paraphrasing and missing lines. Rick came down on me about being accountable for my work and learning my text. He made it clear that as a veteran member of the company the way that I comported myself in the room taught the new people how to behave in rehearsal. I got my act together and even today I make sure to set an example on every production I’m in of being professional and accountable for my responsibilities.

How has Mosaic impacted my artistic/educational path?

I credit Mosaic with putting me in a room with people who had dreams and goals they were aspiring to in their lives. I think it’s true that the people you choose to be around help to set you on your path. I didn’t know that I wanted to go to college, or that you could go to college for acting until I started working with my fellow company members and watched them go on to theatre schools around the country. It’s strange to say but the most important audition of my life was my Mosaic audition when I was fifteen. If I hadn’t been in that room of driven young artists I would have never found my way to undergrad and then eventually, and currently, grad school.

How has your journey with Mosaic reflected the ideas of tradition, transformation, or triumph? Can you share an example of how these themes played a role in your growth as a leader, artist or individual?

The rituals, and traditions of being a part of three years of Mosaic taught me that everyone in the room regardless of the size of their role in the group should be treated like they matter. I have taken these kinds of traditions, warmup games and group check ins into my work as a director and as an educator. One of the genius things about Mosaic’s traditions that I find difficult or rare in the professional theatre world is that Mosaic makes space for the emotional state of every person involved in the process. When people feel taken care of, and heard, and emotionally safe then they produce better work. As a leader you have to take the time to cultivate this kind of environment in order to get the best work out of the group and create the best experience for everyone.

How did Mosaic prepare you for higher education or your career? In what ways did Mosaic support you in pursuing further education, or your career path?

As I mentioned earlier Mosaic made me want to go into higher education and get both my BFA and MFA in Acting. The main things that help me advance in these areas is my accountability, I show up on time, and if there is work to be done, then the work is done. Mosaic challenged me to take agency over my work which directly translated to me being a strong student in my education at Ball State University, and Louisiana State University. Mosaic supported me in my goals by hosting a trip to college auditions when I was a senior, and coaching myself and my fellow seniors through our monologues. Many schools I auditioned for asked to meet other Mosaic students after meeting me. This speaks to how amazing the team is, our Acting Company Directors at the time were Kate Peckham and Edmund Alyn Jones, to whom I owe credit for the artist and student I’ve become.

What are you doing now? What; if anything, do you see as connections between creative youth development and the field you work in today? Are there any parallels or lessons from your time at Mosaic that you still apply in your current industry or work environment?

I am currently studying for my Masters of Fine Arts Degree in Acting at Louisiana State University and I am the Co-Founder and Artistic Director of Break the Chain Theatre Company in Detroit Michigan. Youth Development and my career field are intimately linked in that they are both about making people feel seen and heard. As apart of my program I teach acting for undergraduates and everyday in the classroom I constantly make sure everyone has a chance to speak about where they are and how they’re feeling today. I try to make accommodations for who they are and how they’re feeling, and in production work I try to model the accountability and professionalism that Rick and the team instilled in me as a teenager. It’s not about what you say, it’s about what you do and actions are always more important than words.

How would you describe Mosaic in a few words or a short phrase? Please finish this sentence: “Mosaic is…” 

Mosaic is home, freedom, and love.