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Tech as Art: Supporting Artists Who Use Technology as a Creative Medium

Tech as Art: Supporting Artists Who Use Technology as a Creative Medium 1200 800 mosaic
If you guessed B, you’re correct! Learn more in the report!

In this report, Tech as Art: Supporting Artists Who Use Technology as a Creative Medium, presents findings from a field scan commissioned in 2019 by the National Endowment for the Arts in partnership with the Ford Foundation and the Knight Foundation. The purpose of the scan was to more fully understand how artists are incorporating digital technologies in their creative work and to learn more about the current and prospective sources of support for these artistic practices. Funders reading the report then can make smarter decisions on how to enhance support for this field. The research is grounded in literature reviews, interviews, and group discussions with artists and practitioners across the United States.”

Meet Yemisi Odetoyinbo

Meet Yemisi Odetoyinbo 1200 800 mosaic

Yemisi Odetoyinbo (she/her)

Therapist, Birthworker, Yoga Instructor, Occasional Stage Manager

What drew you to Mosaic as a young person/ how’d you get involved?

My sister was in Mosaic and it seemed really fun.

Can you share a specific moment or experience at Mosaic that has profoundly impacted you? Is there a specific experience, lesson, or memory from your time at Mosaic that continues to influence you today?

I specifically remember the set and  lighting for the show A City in the Strait. I remember the show being such a unique experience.

The things that stand out the most to me when I think about my experience were the amazing friendships and connections. Many of the people I met in Mosaic, I still have very close relationships with.

How has Mosaic impacted your artistic, educational, or professional path?Looking back, how have the skills, mentorship, and knowledge you gained at Mosaic shown up in your personal and professional life?

Mosaic inspired me to pursue theatre design and production in college. Reflecting on my journey, I realize that while I gained valuable skills and technical knowledge, it was the friendships and mentorships that truly shaped my experience, evolving into a sense of family.

How has your journey with Mosaic reflected the ideas of tradition, transformation, or triumph? Can you share an example of how these themes played a role in your growth as a leader, artist or individual?

Transformation comes to mind for me. I have always been more of an introverted person and I think that was true for many people who were in the technical program. Mosaic helped me to speak up about my artistic and creative ideas and helped me to feel more comfortable speaking up.

How did Mosaic prepare you for higher education or your career? In what ways did Mosaic support you in pursuing further education, or your career path? What are you doing now?

Mosaic has played a pivotal role in shaping the artist and professional I continue aspire to be. With my diverse interests, the knowledge and skills I gained there made me realize that I don’t have to limit myself to a single path. It was inspiring to witness others in the company transition seamlessly between acting, singing, and technical roles, showcasing the beauty of a multifaceted journey. Likewise, the tech program exposed us to a wide array of disciplines, from lighting and sound to carpentry, enriching my experience and broadening my horizons.

Now I am a therapist, a birthworker, a yoga instructor, and continue to work in theatre production in the city.

What; if anything, do you see as connections between creative youth development and the field you work in today? Are there any parallels or lessons from your time at Mosaic that you still apply in your current industry or work environment?

In my work as a therapist, I operate on the belief that individuals thrive when they feel supported and validated in a safe environment. This nurturing space encourages people to share their true selves—emotionally and creatively. Mosaic provided that essential environment for me and countless other young artists, fostering our growth and self-expression.

How would you describe Mosaic in a few words or a short phrase? Please finish this sentence: “Mosaic is…”

A creative holding space.

Mosaic’s DeLashea Strawder Part of the 2025 Cohort of the Eugene A. Miller Fellowship Program

Mosaic’s DeLashea Strawder Part of the 2025 Cohort of the Eugene A. Miller Fellowship Program 1200 800 mosaic

We are delighted to announce the 2025 cohort of the Eugene A. Miller Fellowship Program — four distinguished leaders who determined that this was their year to take time away from their organizations to rest, reflect, and recharge. Please read on to learn more about DeLashea Strawder, Lionel Bradford, Nicole Wilson, and Willie Bell, each of whom has demonstrated extraordinary leadership in their fields.We deeply recognize the significance of answering the call to rest amidst such turbulent and uncertain times. However, as detailed in our most recent biennial report, Miller Fellows have taught us that working to exhaustion and burnout is itself an injustice. As we celebrate this year’s cohort, we also ask our funding peers and our broader community to support them and their organizations as they navigate the coming months while honoring the call to rest.On behalf of the McGregor Fund Board of Trustees and staff, I’d like to extend congratulations to this year’s Miller Fellows, thank them for all they have given to our community, and wish them well as they prepare for their well-earned sabbaticals.

Meet Cece Johnson

Meet Cece Johnson 1200 800 mosaic

Your pronouns
She/her/hers

Your current title/organization
Associate Vice President of Advancement, Heights Philadelphia

What brought you to Mosaic?
I started taking the adult-led Saturday performance workshops at the Walker Williams Rec Center when I was 12. This experience opened my eyes to the depth of Black art and the beauty of our ability to convey stories from the past. We even did a rhythmic performance of “Danse Africaines” by Langston Hughes. That fall, I auditioned for the acting company, but it was a tough experience—I didn’t even make it to the second round. However, that spring, my mom took me to see the first Crossing Eight Mile at the Music Hall. Watching young talents like Carollette Goodman and Diarra Kilpatrick command the stage inspired me. In that moment, I knew I could become the kind of artist who could one day own my own stage.

Can you share a specific moment or experience at Mosaic that has had a profound impact on you? What do you still carry with you?
One of my final performances with Mosaic was an international trip to Singapore and Malaysia for a short residency of Medea at LaSalle College of the Arts. It was a moment steeped in significance and such a pivotal time for so many reasons. I stood on distant shores, the farthest I had ever traveled, and, in many ways, I “left” of many things that had made up my whole world at Mosaic. It was the first time I allowed anyone other than Rick Sperling to direct me. It was the first fully adult character I ever played. It was my last show before college, and I was literally half a world away from everything that had shaped me. I let go of a lot of fear in that trip, and while I mourned some of the loss, I recognized that it was the right culmination of my time in a place that had broadened my horizons and prepared me for whatever lay ahead.

How have you seen the skills and knowledge you gained at Mosaic translate to your life to this point artistically, educationally, and professionally?
My time in Mosaic taught me the incredible superpower that is storytelling. The ability to not just see someone else perspective but to fully set aside your own worldview to embody someone else’s experience is a hard, hard thing. Yet, it is one of the most generous ways we can say to one another, “I see you, and your story has value.” When people entrust you with their truth, that’s a sacred confidence. And whether I was making small talk while bagging groceries at Trader Joe’s, teaching 3rd graders about imagery, or now, fostering a community of support for a bold vision of equity, I honor the profound responsibility I have to carry these stories. Each tale is a thread that weaves us together, and I am grateful for the trust placed in me to share them.

What was the biggest lesson you learned at Mosaic?
I’m usually not the main character in every situation I’m in. Even though I may feel like those around me must know how their actions are impacting my story, sometimes, I’m actually a background character and it’s my job not to pull focus but rather help to direct attention to someone else for a while.

Can you share a specific moment or experience at Mosaic that challenged you but ultimately helped you become a stronger artist or leader?
Tenth grade was a personally challenging year for me. I had to transfer schools midyear and navigate the social fallout that came with it. I was doing school tour shows of Everybody’s Talkin and was cast to play my former school as Hero, a character whose circumstances mirrored my own. Unlike the feelings of powerlessness I experienced, Hero’s fierce final monologue empowered me in ways I hadn’t realized I needed. I’m not sure if anyone in the audience noticed the parallels I felt so deeply, but through that performance, I was able to redeem my own story. That experience was crucial in helping me transition to the next phase of my life.

How did Mosaic prepare you for continuing education and what do you do now?
Well, first of all, Mosaic is probably why I’m a UMich alum. All those summers at the Performance Network sold me on my Ann Arbor home. I still carry a lot of what I learned about having a relationship with your audience. Being an actor, a teacher, a spokesperson, a mom- is all about negotiating a common story with someone else. I don’t get to decide for my audience, no matter who they are, what they will take from our time together just because I present something to them. But by trying to understand who I’m talking to, what they care about, how they move through the world, I may be able to invite them into a context that we can co-create together. This has been the most transferable lesson I’ve gotten from my early days in theater. That and, don’t assume they’re not listening just because they’re not clapping. Some applause is hard-won but worth it.

What, if anything, do you see as threads or links between youth development and entrepreneurship?
Young people are wellsprings of creativity and carry less fear than those of us with more experiences of failure.

Why are you a monthly donor?
Many supporters may be inspired by a single instance- a moment, a performance, a headline, and it’s great when those spikes in donations come in as a result. But I’ve worked in nonprofits for over a decade, and I know that sustaining a healthy organization requires dependable, consistent support. So many donors can get excited to support innovation or the next big project. And we need those donors for sure! But we also need those who will regularly toss in their coins to keep the lights on, buy the copy paper, pay the admin salaries, and all those little things that uphold the magic of Mosaic.

How do you connect the work you do now in the college success space with your desire and commitment to support the work Mosaic does?
Having all the responsibility of making decisions you’ll have to live with for decades but none of the experience to inform those decisions really sucks. Often, the adults surrounding young people forget this and place expectations on them that can feel overwhelming. But I’ve found that a lot of young people often just need a safe place to launch from. That comes in many forms. Joann Spencer picked me up in her minivan and drove me down to the Fort Wayne Historic Building for half of my high school years. She and Steven let me squat in their not-so-empty-nested home for years when I couldn’t find a job after college graduation. They believed that if I had the resources, I could navigate my decisions with greater agency, rather than operating from a place of scarcity. This understanding has shaped my approach to education. Too many young people are left to figure out how to be the first in their family to attend college or to navigate the uncertainties of early careers all on their own. I have committed my work and my life to becoming a safe launchpad for as many young people as possible, helping them find their way in a world that can often feel unforgiving.

Meet Craig Ester

Meet Craig Ester 1200 800 mosaic

Current Title: Graduate Assistant/MFA Acting Candidate Louisiana State University

What drew me to Mosaic?

I actually don’t know how it happened, but a friend of mine who was in the singing company brought me to a performance of Tessarae, the one act play festival. It was sort of love at first sight. I wasn’t able to audition for the company until the next year and I ended up in the acting ensemble. I stayed at Mosaic because it was the first place in my young life where I felt other people sharing my passions, and where we had agency over the work we made.

Moment/Memory that impacted me:

There are honestly too many to count, but the one that sticks out the most in my professional life is one when I had a bonding moment with Rick Sperling. Rick was driving me to rehearsal, I was an intern in the office at the time and we were working on Woodward Wonderland at the DIA, and we had to stop and pick up the printed scripts before we arrived. Earlier that week we’d had a line test, and I had been paraphrasing and missing lines. Rick came down on me about being accountable for my work and learning my text. He made it clear that as a veteran member of the company the way that I comported myself in the room taught the new people how to behave in rehearsal. I got my act together and even today I make sure to set an example on every production I’m in of being professional and accountable for my responsibilities.

How has Mosaic impacted my artistic/educational path?

I credit Mosaic with putting me in a room with people who had dreams and goals they were aspiring to in their lives. I think it’s true that the people you choose to be around help to set you on your path. I didn’t know that I wanted to go to college, or that you could go to college for acting until I started working with my fellow company members and watched them go on to theatre schools around the country. It’s strange to say but the most important audition of my life was my Mosaic audition when I was fifteen. If I hadn’t been in that room of driven young artists I would have never found my way to undergrad and then eventually, and currently, grad school.

How has your journey with Mosaic reflected the ideas of tradition, transformation, or triumph? Can you share an example of how these themes played a role in your growth as a leader, artist or individual?

The rituals, and traditions of being a part of three years of Mosaic taught me that everyone in the room regardless of the size of their role in the group should be treated like they matter. I have taken these kinds of traditions, warmup games and group check ins into my work as a director and as an educator. One of the genius things about Mosaic’s traditions that I find difficult or rare in the professional theatre world is that Mosaic makes space for the emotional state of every person involved in the process. When people feel taken care of, and heard, and emotionally safe then they produce better work. As a leader you have to take the time to cultivate this kind of environment in order to get the best work out of the group and create the best experience for everyone.

How did Mosaic prepare you for higher education or your career? In what ways did Mosaic support you in pursuing further education, or your career path?

As I mentioned earlier Mosaic made me want to go into higher education and get both my BFA and MFA in Acting. The main things that help me advance in these areas is my accountability, I show up on time, and if there is work to be done, then the work is done. Mosaic challenged me to take agency over my work which directly translated to me being a strong student in my education at Ball State University, and Louisiana State University. Mosaic supported me in my goals by hosting a trip to college auditions when I was a senior, and coaching myself and my fellow seniors through our monologues. Many schools I auditioned for asked to meet other Mosaic students after meeting me. This speaks to how amazing the team is, our Acting Company Directors at the time were Kate Peckham and Edmund Alyn Jones, to whom I owe credit for the artist and student I’ve become.

What are you doing now? What; if anything, do you see as connections between creative youth development and the field you work in today? Are there any parallels or lessons from your time at Mosaic that you still apply in your current industry or work environment?

I am currently studying for my Masters of Fine Arts Degree in Acting at Louisiana State University and I am the Co-Founder and Artistic Director of Break the Chain Theatre Company in Detroit Michigan. Youth Development and my career field are intimately linked in that they are both about making people feel seen and heard. As apart of my program I teach acting for undergraduates and everyday in the classroom I constantly make sure everyone has a chance to speak about where they are and how they’re feeling today. I try to make accommodations for who they are and how they’re feeling, and in production work I try to model the accountability and professionalism that Rick and the team instilled in me as a teenager. It’s not about what you say, it’s about what you do and actions are always more important than words.

How would you describe Mosaic in a few words or a short phrase? Please finish this sentence: “Mosaic is…” 

Mosaic is home, freedom, and love.

Meet Lynneisha Ray

Meet Lynneisha Ray 1200 800 mosaic

The correct spelling of the name you’d like listed – Your pronouns 
Lynneisha Ray (she/her)

Your current title/organization
Co-Producer, Firelight Films

What drew you to Mosaic as a young person/ how’d you get involved? 
My mother won tickets to a Mother’s Day event from a local radio station.  At the time, the Mosaic Singers were performing songs from “Everybody’s Talkin’ ” She told me that I was going to be a part of Mosaic. I auditioned. Then, like everybody else, I called the hotline, hoping to hear my name…it wasn’t there. I called back (maybe I missed it?).

Nope. My name wasn’t there…again.

In solace for the loss, a statement was made that many of the acting ensemble members are better prepared for the program by taking acting classes. Therefore, I spent a year learning acting fundamentals with Walter Lindsay at Rademacher Recreation Center. My freshman year of high school, I auditioned again.  Then, like everybody else, I called the hotline, hoping to hear my name…it was there. I called back (maybe I ain’t hear them correctly…).

Nope! My name was there…again.

Can you share a specific moment or experience at Mosaic that has profoundly impacted you?
I can’t quite remember if it was after Perform-a-thon or school tour, but I remember a combination of being both fulfilled and exhausted…so either one of those experiences would fit (those who know…KNOW).

We came back to the Fort and were ready to eat. Instead of just lining up for pizza, we were directed into the room that was traditionally used by the Mosaic Singers. When we entered, the parents had transformed the room into a decorative space- tables with settings, centerpieces, and serving dishes of food lined up by the kitchen. It was so nice. They had to be just as tired as us, but that’s the moment I knew they loved all of US. We were all of their kids.

Is there a specific experience, lesson, or memory from your time at Mosaic that continues to influence you today? 
We were having discussions with working artists about what they wish they would’ve learned now that they were professionals, and I remember Conor Shaw-Draves stating something to the effect of ‘he would have learned more about the business.’ In that moment, I realized the importance of not just being a great artist, but becoming both a knowledgeable and influential figure in the business of entertainment.

Rick used to mention that everything changes. Nothing stays the same. Things are either going up or going down. I have experienced both – the going up and the going down.

However, since it was already explained to me at 14 that this was not just an acting lesson but a part of life, I knew there was room for progress simply because I would not be stagnant.

How has Mosaic impacted your artistic, educational, or professional path?
At 15-16 years old traveling throughout the US, I learned that the world is accessible to me. It’s no coincidence that my professional pursuits have led me to various opportunities in multiple states.

Looking back, how have the skills, mentorship, and knowledge you gained at Mosaic shown up in your personal and professional life? Commitment. Rick was big on the members of the acting ensemble being committed to whatever we were doing. Commitment came with energy, and you had to submit your whole self to the process. Win, lose, or draw- I am committed to the process.

How has your journey with Mosaic reflected the ideas of tradition, transformation, or triumph? Can you share an example of how these themes played a role in your growth as a leader, artist or individual? 
Transformation: Perform-A-Thon

One of our Perform-A-Thon stops was a Juvenile Detention Center. As we were walking in, I saw one of the juvenile participants yelling at a counselor/administrator on the other side of the security glass. Immediately, I thought of the Animaniacs and my brain was processing in black and white “Good Idea? BAD IDEA?” Low and behold, that was our most well received performance of the day. People even came up to us afterward raving about the performance.

The transformation of Perform-A-Thon taught me that a situation is not always as it seems. Everybody wants the opportunity to connect, to enjoy, and to be valued as human beings.

As a documentary filmmaker, I have to engage with people from all walks of life on deeply personal and challenging subjects. For me, everyone is always a human 1st and a participant 2nd. People that I thought weren’t going to give me the time of day would later not agree to participate in the film without me being present.

The situation is not always as it seems. Everybody wants the opportunity to connect, to enjoy, and to be valued as human beings.

How did Mosaic prepare you for higher education or your career? In what ways did Mosaic support you in pursuing further education, or your career path?
Mosaic prepared me for teamwork and hard work!

Teenage me: Great show or not, that table still gotta get loaded on the back of that truck.  Attitude or not, y’all better show up in that scene and work out your problems off stage.

Adult me: Great shoot or not, you betta load up that krafty and make sure that set is clean before the location owner does a final walkthrough. Attitude or not, you betta show up on that set, and have some talking points later.

What are you doing now? What; if anything, do you see as connections between creative youth development and the field you work in today? Are there any parallels or lessons from your time at Mosaic that you still apply in your current industry or work environment? 

I am a Co-Producer at a documentary film company that produces non-fiction cinema by and about communities of color.

How would you describe Mosaic in a few words or a short phrase? Please finish this sentence: “Mosaic is…” Is there anything else you’d like to share?

Mosaic is an opportunity…be present and enjoy this time for all its worth!

Anything else you’d like to share?

Believe in GOD, believe in yourself, and know that you have the power to change your life and impact the lives of people around you.

Honor your elders: you don’t have to agree with everything they say or do, but they’ve been here longer than you, and have lived to tell the tale. Sit at their feet, thank them for their service, and glean wisdom from their experiences.

Mosaic Volunteer Highlight – Deborah Hardison Hill

Mosaic Volunteer Highlight – Deborah Hardison Hill 1200 800 mosaic

What originally drew you to volunteer with Mosaic Youth Theatre, and how long have you been involved?
Attending as a guest and seeing the youth perform and how much they support each other.

Can you share a memorable moment from your time with Mosaic that stands out?
I was talking to a few of the performers and one if them asked me do I have a youth who is a part of Mosaic. I replied I did not. I told them they I am so impressed by their commitment and their talent. I see how serious they take this program. They smiled and said thank you and gave me a hug.

Mosaic focuses on empowering young people through the arts. How does this mission resonate with you?
The program gives these young people opportunities that are rarely given to them. It teaches them how hard work and  the enjoyment of  doing something you enjoy shows by the way the audience looks forward to attending and seeing them perform. They have regulars that attend and everyone who is introduced to them are very impressed by these young artists. Many have said “very professional “.

In your opinion, why are programs like Mosaic so vital for youth and the greater community today?
This program builds not just character in these young artist, whether they are a performer or behind the scenes, but teaches them the importance of what they put into something is rewarding, there is a greater return. I have seen the results of a few alumni who have gone on and continued their career. I have seen how they support and encourage each other. This program will help them through life’s challenges and them reaching their goals. It teaches them the importance of being taken seriously in life. And most importantly taking themselves seriously and being proud of their accomplishments.

What have you learned about yourself through volunteering with Mosaic?
Wow. I’m able to see many young people from different walks in life come together. I have grown to respect young people even more because I see their passion, their strengths and openness. I have learned to respect their opinions even more.

For those reading your story, what would you say to encourage them to get involved with Mosaic, whether as a volunteer, supporter, or audience member?
If you have never attended a performance, come see them, stay afterwards and talk to these young artists. Once you do, you can’t help but to want to find a way to get involved in some capacity. You will not be able to walk away knowing that your support is very important for this program and the young artist, whether financially or volunteering or both. When these young artists see people attending a performance, the look on their faces draws you in.

Is there anything else you’d like to share?
Mosaic is a wonderful program for young people. Whether they want to pursue this as  a career or go into something else, Mosaic Youth Program has helped guide these young people to become productive and to set goals in their lives. It’s more than putting on a performance, this program has given them guidance and taught them how to stay focused and to lift others up.

Please finish this statement, “Mosaic is….”
Mosaic is a platform where our young people can place a positive impact and imprint not just in the community, but also wherever they go. Mosaic is a guide for their future.

Meet Jimmie, Programs Coordinator

Meet Jimmie, Programs Coordinator 1200 800 mosaic

Jimmie Comer III, is a dynamic force in youth and community development, joins us a Programs Coordinator. His journey has been marked by impactful roles, from interning at Detroit Public Theatre to founding Empower The Youth, an initiative dedicated to uplifting young voices. Jimmie’s commitment to integrity, love-driven leadership, and service has fueled his path, as he believes that everyone has a unique purpose and gifts that are meant to inspire and uplift others. Guided by this philosophy, Jimmie has navigated his career with resilience and intention. Today, he’s excited to bring his passion and vision to the Mosaic community, continuing to empower youth and contribute to Detroit’s vibrant arts landscape.”

Name: Jimmie Comer III

Pronouns: He/Him/His

Favorite Musical or Play: Much Ado About Nothing

Why do you invest in empowering youth through the arts?  

I invest in empowering youth through the arts because I believe it requires one to surrender themselves to the youth, to their needs, & to selflessness.

What volunteering or passion projects do you do outside of work?

I coach basketball and offer young college students mentorship.

What are the values that drive you?

Some values that drive me are Integrity, Transparency, & Selflessness.

Favorite quote: 

“So neither the one who plants nor the one who waters is anything, but only God, who makes things grow.” 1 Corinthians 3:7 NIV

Introducing Asia

Introducing Asia 1200 800 mosaic

We are excited to welcome Asia to #TeamMosaic as the new Theater Programs Specialist. Asia is a working director, actor, designer, and comedian working in both theater and film across Metro Detroit. They find joy in collaborating on creative projects and exploring new and bold ways to tell stories. When they are not working, Asia can be found snuggling up with their dog, Miss Honey.

Name: Asia Hicks

Pronouns: they/them

Favorite Musical or Play? Hair

Why do you invest in empowering youth through the arts?  

I know firsthand how life-changing it can be. As a young person, I felt directionless before I found the arts, and I’m not sure where I’d be without having that support. Creative expression gave me a sense of purpose and direction, and I want to offer that same opportunity to others. The arts have the power to help young people discover themselves, build confidence, and create a foundation for their future.

What volunteering or passion projects do you do outside of work?

A few passion projects of mine include collaborating with my fellow board members at The Ringwald Theatre, where we work to create meaningful and inclusive theater experiences. In the summers, I also have the privilege of co-directing the Detroit Women of Comedy Festival, a celebration of diverse voices and talents in our city and across the country. These projects allow me to stay connected to my community and continue growing as an artist.

What are the values that drive you?

The values that drive me are rooted in authenticity, gratitude, and generosity. Being who I am, no matter the pressure to fit into a mold or be something I’m not—I believe that belonging comes from embracing who you really are. Gratitude keeps me focused on what I have, rather than dwelling on what’s missing, allowing me to approach life with a fuller heart. As for generosity, I’m from the South, and if you’re ever in a position to help someone or brighten their day, I believe it’s your responsibility to do so.

Favorite quote:

“The limits of our success are just the limits of our energy.”
-Katya Zamolodchikova

BET+ series ‘Diarra from Detroit’ comes from a creator who’s ‘a daughter of the city’

BET+ series ‘Diarra from Detroit’ comes from a creator who’s ‘a daughter of the city’ 1320 854 mosaic

“Diarra from Detroit,” which premieres Thursday on BET+, is a quirky, contemporary series about a woman in the Motor City who’s going through a divorce and becomes obsessed with the dating-app match who disappears after one perfect date.

So why was it partly inspired by old, conventional mysteries like “Matlock,” “Columbo” and “Murder, She Wrote”? Because that’s what Diarra Kilpatrick, the star and creator of the new streaming series, used to watch with her grandmother as a child in the D.